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When you are used to using Silver Clay opening a 50g pack of Copper seems an awful lot of clay, especially as I wanted to use it all up in one go. I started off by using a bit of Gloves in a Bottle on my hands. I am fine with Silver Clay but I did notice when I tried the Copper Clay at the conference it made my hands itch a bit so I had bought a bottle of this ready. It coats your hands and prevents the irritation.
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The photo above is just some of the pieces I made. I still have a large fish and a pendant which need finishing off and firing. I was mainly working with the idea of making elements to combine with Art Clay Silver. The Copper clay has to be fired first as it fires on the open shelf in the kiln at 970c for 30mins. At this temperature the Silver Clay would melt if you tried to fire them together.
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Why the large holes in the flowers I hear you asking. Well the next stage is to combine the silver clay with the fired copper pieces, but silver and copper will not actually fuse together so to join them I need to have silver clay through the hole which will hold it all together after firing. Sounds a bit complicated? It will make more sense when I get a chance to finish them off.
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I was delighted with the way the Copper Clay worked and felt. A bit softer and wetter than Art Clay Silver it took the textures well and moulded beautifully. Best of all once dried the baby wipes worked fantastically well on it. Any of you who have taken a workshop with me will know I am the biggest fan of baby wipes for cleaning up the edges of dried clay pieces. No dust and mess and lovely smooth edges. I had heard it suggested baby wipes might not work well with the copper but no - they were fab. Even better than on the silver clay.
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The pieces come out the kiln literally red (well orange actually) hot and are dropped straight into a bowl of cold water. This makes the black firescale ping off, and then they go into the pickle to finish removing any black from the surface. After that these pieces have just been given a quick brush up with a brass brush under running water.
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I wont actually be getting to finish these off for a few days though as this week I am off to do a workshop myself. Whoppee!! I am going to Oxford to learn a bit more about making lampworked beads with the wonderful Laura Sparling. I did a one to one workshop with Laura at the beginning of the year. I had never tried making beads before but I just love all the fabulous beads Laura creates. I had a brilliant day last time and under her expert tuition I was amazed to produce all the beads below.
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I shall also be doing my best to post here more often.
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I only have 3 more craft fairs before Christmas so maybe I will see you at one of them.
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28th November 2009
Wealden Craftworkers
Memorial Hall
The Tye
Alfriston
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29th November 2009
Christmas Fair at the Llama Park
Ashdown Forest
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10th December 2009
Wealden Craftworkers
Memorial Hall
Battle
I love your copper pieces, just lovely! Have fun at your workshop and much success at your shows
ReplyDeleteI love your copper pieces too. Would they end up black if you left them to air cool? If so, maybe they would look cool if occasionally you left them black and just polished the high spots.
ReplyDeleteI love copper firescale.
I love it when you fire transparent enamel over it and never quire know how it will be.
The firescale on the copper would still start to ping off if just left without quenching in water as it is quite thick.
ReplyDeleteWhat I will try to do is patinate the pieces when they are finished using Liver of Sulphur and then polish back up to hopefully get dark recesses with polished high spots.
Rather you than me on the enamelling copper! I have to say my love is for enamelling on silver:) I think it is the firescale that puts me off but I do not what you mean. I do see some lovely pieces with it.
Designing is an art and I am sure playing with various elements for better creation also ignites the mind.Bracelets colorful and vibrant look nice...specially on the young teens.
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